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Simulating the accelerometer using touch keyboard input void AccelerometerReadingChanged(object sender, AccelerometerReadingEventArgs e) { if (MicrosoftDevicesEnvironmentDeviceType == MicrosoftDevicesDeviceTypeDevice) { AccelerometerData = new Vector3((float)eX, (float)eY, (float)eZ); } else { // Use the cursor keys on the keyboard to simulate the accelerometer Vector3 accData = AccelerometerData; if (KeyboardGetState()IsKeyDown(KeysLeft)) accDataX -= 005f; if (KeyboardGetState()IsKeyDown(KeysRight)) accDataX += 005f; if (KeyboardGetState()IsKeyDown(KeysUp)) accDataY += 005f; if (KeyboardGetState()IsKeyDown(KeysDown)) accDataY -= 005f; // Ensure that the data stays within valid bounds of -1 to 1 on each axis accDataX = MathHelperClamp(accDataX, -1, 1); accDataY = MathHelperClamp(accDataY, -1, 1); // Put the vector back into the AccelerometerData property AccelerometerData = accData; } // Display the accelerometer data in a text object _accText.

In Listing 3-2, you saw the Department class that was generated by the LTS designer, and the mapping attributes that decorate the class. After reviewing Table 3-1, you should see that there are many more attributes and options for mapping than just the generation of a single class. To understand more of the mapping functionality that LTS has to offer, you need to add some more entities to your design surface to expand on this example. Add the Employee, Contact, and EmployeeDepartmentHistory tables to your project, as seen in Figure 3-3.

Text = "Accelerometer data: " + AccelerometerDataXToString("0000") + ", " + AccelerometerDataYToString("0000") + ", " + AccelerometerDataZToString("0000"); } Both of these mechanisms are present in the Accelerometer example project, though the keyboard mechanism is commented out Try swapping between them to see how each one feels..

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Typically, the plane is just that, a plane; however, you can specify that the plane bends so that it can appear below the level of the camera Additionally, you can have the scene manager tessellate the plane into multiple segments for greater control over the appearance of the curvature of the plane, and also to allow for per-vertex effects on the plane Curved skyplanes are similar in operation to skydomes, but work better with fog The skyplane allows tiling of the plane texture an application-defined number of times..

Game in Focus: Cosmic Rocks (Part II)

Figure 3-3. The Department, Employee, Contact, and EmployeeDepartmentHistory entities As you can see, we now have four entities and arrows connecting these entities. These connections represent the associations between the entities, which are the foreignkey relationships between the tables. In Listing 3-5, you can see a condensed version of

So now that we are comfortable with all the options for reading input from the user, let s use them to add to the Cosmic Rocks game that we started building in the last chapter. The rest of this chapter will focus on using input techniques to turn the project into an actual playable game. There are three actions that we need to be able to support: shooting in a specified direction, firing the ship thrusters to move the spaceship forward, and hitting the hyperspace button to randomly transport the player to another location on the screen.

There are various touch-based mechanisms that we could use to implement these actions. It would seem sensible to make tapping the screen the instruction for the spaceship to shoot. Thrusting has various options, which include allowing the user to drag the ship or to hold a point on the screen to indicate that the ship should fly toward that position. Hyperspace needs to be easily accessible, but not interfere with either of the other controls. After some experimentation, the following controls were found to be the most natural-feeling: Shoot: Tap the screen. The spaceship will rotate toward the touch point and shoot. Thrust: Hold contact with the screen. The spaceship will rotate toward the touch point and thrust forward. Hyperspace: Pinch the screen. Using multitouch allows a clear indication of the player s intention without having to worry about distinguishing hyperspace requests from moving or shooting.

Skydome Where a skyplane is made of a single plane, a skydome is made of five planes that define the top and sides of a box The bottom face of the box is left off; the expectation is that world geometry will fully occlude any bottom face of a box, as well as the horizon (where some truly nasty artifacts can be seen due to the apparent curvature applied to the texture of a flat face) The texture coordinates of the skydome are created such that a curved effect is achieved This curvature is configurable, with lower curvature creating a gentler curve (good for the big sky country typical of outdoor landscapes), and higher values creating a steeper curve (more suitable for the sky outside indoor levels, where very little of the sky can be seen at any one time and the extra curvature looks better).

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